Search: Starring Alan Tudyk

Mangold’s version proceeds far too quickly to a ludicrous, logic-defying shoot out.

A handsome and suprisingly sturdy undertaking that explores the insidious effects of racism with a sharp eye.

A story of courage, conviction and physics in free fall

For farce to work well, the plotting needs to be watertight, whereas here the sheer excess of characters fails entirely to cover up this film's flimsy underpinnings.

The animation is breathtaking and the characters are funny, charming and occasionally scary.

It's familiar stuff, but it's rarely been done with such polish and gusto.

What matters more is whether this mixture of stunt riding spectacle and tongue-in-cheek works. Surprisingly, it does. Almost.

The truth is, as much as Disney wants to inspire its young viewers, it also knows what sells.

Whatever expectations are carried in are brought to a stop, hard.

Knowing, loving, kidding and one of the year's best films.

There's so much that borrows from other places that Superman doesn't feel indebted as much as hollowed out.

The comedy is not funny, the action is exhausting, and by the time its 156 minutes are over, you too will have been transformed into a dead-eyed machine that has lost the power or will to care.

Despite this period being so rich in potential subject matter, this admittedly handsomely mounted, nimble and quite funny film chooses to take a pretty much conventional ride to a victory-lap finish.

There have been bad films. There have been terrible films. And then there's Welcome To Me

Wish feels like one granted, a treat from start to finish.

The beauty of Wreck-It Ralph is that it makes no difference if you spot any of the references or love videogames, such is the vibrancy of the animation and the humour of the screenplay.